 An inspiring and beautiful sanctuary
The book was recommended to me by a friend (designer/architect).
Saladino created a beautiful sanctuary using his long life of experiences; education; a great awareness of his surroundings and a deep passion.
But what is beauty and what is a sanctuary?
My viewpoint on beauty is in part unlearned or conditioned and in part defined by culture and life experiences. Certainly, one may have a broader concept of beauty because he or she may have been exposed to various cultures and places. Or, can be more aware because he or she has a greater education and understanding of the laws and principles of design. (Saladino has had impressive life experiences and education)
Having a greater sensitivity and a passion can also give one a deeper appreciation for beauty. According to Helen Keller, "The most beautiful things in the world cannot be seen or even touched, they must be felt with the heart." (Saladino is very perceptive with sight, hearing, touch, smell... and even taste (has included some recipes in the book too!)
Unquestionably, beauty is primitive and universal (As seen in Salidino's design --he borrows from the ancient world as well as having a contemporary edge.)
Beauty is harmony. It is alive and can be seen with all the senses. It is in patterns, colors, and vibrations. (You can feel and see the harmony in Salidino's design with colors, etc. YET he juxtaposes porcelain with stone! Not boring at all.)
Personally, when I see something beautiful, as I see the Saladino's home and gardens, I feel it to be graceful and comforting. A place where I feel free from the busy chaotic world ....a place which helps me go within myself is truly a SANCTUARY to me.
A design adventure - just wonderful!
Reading this beautifully designed book is like taking a trip abroad. It details a loving restoration with the superb style for which the author is famous. A tour through this remarkable residence is exhilerating, enhanced by the book's lovely design and thoughtful text.
The best interior decorating book of 2009
This is unquestionably the finest interior decorating book of 2009 and because it shows the process of renovating a run down Santa Barbara home of great potential, a great book on architectural preservation as well. It provides a thorough and easily understood commentary about the process of planning and executing the design of a gorgeous villa looking out on the sea, including line drawings on translucent sheets, much like blueprints, but primarily utilizing brilliant before and after photos, room by room.
Is an entire book about a single home really reasonable? It was done fairly well by John Stefanidis and a little less well by Bunny Williams, but John Saladino has outdone them all. Just as you could always tell a room by David Mlinaric, Mario Butta, Renzo Mongiardino or David Hicks, Saladino has a signature design style, unlike other decorators such as Billy Baldwin, Sister Parrish or Mark Hampton who were consistent principally in their emphasis on comfort and classicism. Some might have differing opinions regarding this latter group, of course, but Saladino loves classic authenticity combined with modern functionality and certainly achieves an excellent balance here.
Importantly, this project permitted Saladino to achieve the zenith of his own particular style of Mediterranean-influence classicism, in no small part due to not having to get client approval for any element of his masterpiece. I suspect his banker was the only one he had to answer to; this is the dream home for anyone seeking the Montecito lifestyle. And so much more tasteful than the vast majority of the McMansions completed pre-2008 in Greenwich or the Hamptons by guys selling bonds or exploiting Bolivian miners while their trophy wives argued over fabric swatches.
The only reviewer on these pages who gave the book less than five stars complained about how in this age of digital photography, large format shots are no longer available. Excuse me? Razor sharp images with perfect color reproduction across the photo in a format 13 inches high by 26 inches wide are not up to snuff? I have never seen photography at this level in any book on interiors in forty-plus years of looking. You feel as if you are walking into the room or up the stairs or into the garden. Robert Stern's books come close, but it's all about the house, not the interiors, and too many of his residential projects are frankly boring.
One hardly needs to add the twelfth five-star review of this book, but I offer it to be sure that no one with any interest in design will miss it. THE decorating book of this year . . . or any other year, for that matter.
John Saladino my favorite designer....
I saw this book on a coffee table in one of my design magazines.
I was so excited I imediately looked on Amazon and there it was,
at a discounted price. Now it is at my home,on my coffee table.
I have thoroughly enjoyed it...he uses muted colors that are so
relaxing. His design is never overdone, always timeless. The
DVD, included with the book, is well done also. I would love to
visit..if he ever opens his house for a tour fundraiser..I would
definately buy the ticket!
a dream of a house, a dream of a book
When the songwriter and singer Curtis Mayfield was at a low point in his career, he made sure he went to the movies every day. Why? "It's important to dream," he said.
Wise man. The "reality" we're sold in the media can't possibly define the limits of our lives. To think so is to invite despair. So we look for beauty, for inspiration. But when we find it in museums, in music or in books, it doesn't always speak to us --- it's not immediate enough, we don't have the vocabulary to process it.
A beautiful house? That we can understand. We may not get the subtleties of the architecture or the décor, but we all have walls, windows, floors and furniture --- comparisons are inevitable and immediate.
If you're going to look at a home of a professional, you can't go wrong with John Saladino, America's most gifted architectural designer. (Not "interior" designer --- Saladino has a large, holistic sense of what a house can be, and that very much includes its site.) In 2001, he bought a 2,500-square-foot villa near Santa Barbara that was well on its way to ruin. Four years later, it is a treasure and then some --- it's simply one of the most beautiful houses in the world.
And now it's the subject of a dream of a book.
Villa is 13.5 inches square. It contains an informative and chatty commentary by Saladino, 256 photographs, plans and drawings, and a DVD that gives you a tour of the house and property. Let us hope that Saladino has a state-of-the-art security system, because every page and image is an invitation for you to break in --- not to take anything, just to experience what it's like to walk in beauty.
"Reality is the enemy," Saladino writes, and so he created an environment that might look natural, but is really sculpted. (The project, he says, was "75% construction, 25% decoration".) Set on a hilltop overlooking the Pacific, he first had to shore up the land, so his creation wouldn't go sliding off its moorings in a landslide. Then he had to attack decades of unfortunate decorating choices.
It took six men a year to sandblast the paint off the stone walls. Terra cotta tiles had to be hand-stained, so they wouldn't look like plastic flooring. Beams were hand-stripped. An amusing touch: Saladino asked the workmen to have a few beers before they started to sand the dining room walls --- he didn't want perfection.
This was a giant construction product, with as many as 40 workers on site each day. The transformation took four years --- twice as long as Saladino had predicted --- and cost three times more than he'd budgeted. "I did make it to dry land," he writes, "but only by the hair of my chinny-chin-chin."
Saladino's design truths can be applied to smaller houses --- and smaller budgets. Among them:
"Every home should be a sanctuary: entering it you should immediately feel physically and emotionally protected."
"The most important thing about color is that it cannot be isolated --- every color is only ever seen in juxtaposition with other ones."
"Any fragments from the past, especially those that you can touch, connect you to the makers of those pieces, making you aware that we are threads in a great tapestry of time."
"Make the largest piece of furniture in the room the same color as either the floor or the walls so its bulk doesn't intrude."
This is not stuffy advice. But then the house, for all its beauty, is strikingly relaxed. And there are a few well-placed jokes. On a statue of Sir Francis Drake, arguably the first Englishman to see the California coast, he set a pair of dark sunglasses. And, to puncture any air of self-importance, he named the retreat Villa di Lemma.
There is no dilemma, of course. In his California home, John Saladino solved every design and decorating problem. The only unhappiness he created is on your coffee table --- all your other books will be wildly jealous of "Villa".
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